INTRODUCTION

Extracted from film sequences that utilize continuous or visually unbroken views, each video focuses on how the technique of capturing the sequence plays a part in the making of the overall scene. Although highlighting this presence isn’t intentional as something to be taken note of for the purposes of the film, it establishes a continuity between the image and frame that holds the two in a fixed relationship in movement. Exaggerating the effect of these techniques, each video is altered to accentuate this movement— repurposing a more mechanical aspect of film making, intended to create a sense of being inside the scene, and making that previously indeterminable presence the generator of a nuanced formal language. 

As an additive manipulation, this approach uses superimposition, double exposure, digital leveling, and transparent screens to draw forth something more nebulous—establishing an entirely new continuity through an exchange between the frame and image. Because these overlaps coexists in parallel with the original scene, the interaction creates a malleable space intertwined as constantly shifting form. In unyielding flux, this dynamic simultaneously builds and deconstructs, leaving impressions of this dialogue as reverberations of transformable matter.